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Erden
Bilgen, Patrick Dreier, Lars Ranch, trumpets;
Chamber Ensemble Cologne; Berlin Radio Symphony Orchestra,conducted by
Joseph R. Olefirowicz
Telemann:
Concerto in G Major; Vivaldi: Concerto for Two Trumpets in C Major; Telemann:
Concerto in D Major; Handel: Suite in D Major; Telemann: Concerto for Two Trumpets
in G Major; Bilgen: Dialog in D. for two trumpets, timpani, strings and continuo
(Hicaz)
LMO Records
Erden Bilgen Plays Music for Trumpet demonstrates
his talents both as a performer and as a composer on this CD. The highlights
of the recording are the two transcriptions of Telemann concerti originally
written for oboe d'Amore.These two works demonstrate Bilgen's pure,
full sound; light, clear articulation; and ease of playing through the technical
passages and range involved in these Baroque works. Bilgen is joined
by trumpeter Patrick Dreier (principal trumpet in the Dusseldorf Schauspiel-haus)
on the Vivaldi Concerto for Two Trumpets and the Concerto for Two Trumpets by
Telemann (originally for two flutes). These two artists complement each other
both in phrasing and tone consistently throughout both compositions. The
Chamber Ensemble Cologne provides excellent accompaniments for the soloists;
the balance between the soloists and the ensemble is just right.
erdenb@turk.net
The disc ends with Bilgen's own composition Dialog
For Two Trumpets, Timpani And Strings. This is a live recording
with trumpeter Lars Ranch (associate solo trumpet with the Berlin Radio Symphony
Orchestra) and members of the Berlin Radio Symphony Orchestra. Written for two
piccolo trumpets, the themes are based on the Turkish scale "Hicaz"
and Turkish rhythms. This is an exciting new work and the live performance
is excellent. The recording quality differs, however, from the
previous works on the CD, with the soloists and ensemble sounding as though
they are playing in the distance. The only criticism is that this work may have
been better served on a future CD of contemporary compositions, as it is difficult
to change gears so quickly from listening to the Baroque repertoire followed
by the contemporary sounds of the Dialog and the difference in the recording
quality of this piece. This is, however, an excellent recording and
highly recommended. (Jon Burgess, associate professor of trumpet,
Texas Christian University, Fort Worth, TX)
© 2004 International Trumpet Guild
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